Thanks to advances in computer software, it has never been easier to make your own music from home or on the go rather than in a pricey studio. When it comes to the search for a free and reliable Digital Audio Workstation (DAW) to record music, the internet has a lot to offer — but what is the best free recording software?
Further reading
Though “freemium” software often lacks the advanced functionality of renowned programs like Pro Tools, it still provides options for recording audio, adding effects, and cutting waveforms, among other basic tasks. Below, we compiled a list of the best free recording software you can download, install, and immediately start using on your computer.
GarageBand
Although MacOS isn’t always the only platform for great software, when it comes to free recording applications, it has the best of the bunch. GarageBand is an Apple-exclusive program that gives you a full audio creation suite with features for audio recording, virtual instruments, MIDI-editing, and even music lessons built right in.
Part of the appeal of GarageBand is how simple it is to get going. Its interface is intuitive and easy to learn, and if you want to record something you just plug in your instrument or device and get started. There is a wide array of virtual amps and effects you can use, as well as drum tracks that sound like they were performed by real musicians.
The sound and loop library that’s available for editing into your own tracks is growing all the time and you can even bring in your iOS devices for wireless control of your set up. GarageBand is the most fully featured, free application on this list. While you will need to have an Apple device to run it, you’d be hard-pressed to find a better application that doesn’t force you to get out your credit card first.
Avid Pro Tools First
Pro Tools First is a limited version of the main Pro Tools and Pro Tools HD applications, but it’s still pretty capable in its own right. Aimed at singers, songwriters, and musicians who are just getting started with audio recording or want to try out the software before buying, the main limitation is that you can only store projects in the cloud and they can’t exceed 1GB in total size. You’re also limited to 16 simultaneous audio tracks, four inputs, and 16 instruments.
Beyond that, though, the features and capabilities are much the same, giving you a good idea of what the tool can do. For example, you still gain access to 500MB of bundled loops from leading producers, the Xpand!2 multitimbral music workstation with 20 effects and plugins, and the same support for third party-interface systems as the premium versions.
One upside of not having quite so many features as the premium editions of Pro Tools is that Pro Tools First has less strenuous system requirements. It only needs an Intel Core 2 Duo processor, with 2GB of RAM and 15.5GB of install space. If you do choose to upgrade to the standard or HD version further down the line, they’ll set you back $25 and $83 a month respectively.
Audacity
First released in 2000, Audacity has gone on to become one of the most popular pieces of free software around — and for good reason. The open-source program gives users a wide range of options for recording and editing audio, all tied together with a simple interface, and everything Audacity has to offer is free of charge. Compared to other notable DAWs such as ProTools and Sound Forge, Audacity’s layout is very minimalist. There are toolbars for navigating a track, editing it, and mixing. When tracks are loaded, they will appear as waveforms, and users can edit specific sections of a track by highlighting the appropriate section of the waveform.
Of course, no piece of free software is without its shortcomings, and despite Audacity’s many virtues, it has some issues. The most notable problem is that Audacity uses “destructive editing,” which means that when users add effects to a track, they are actually altering the waveform; these changes happen to the original file, so you can’t go back and undo them later. This isn’t necessarily a problem if you’re carrying out simple tasks — such as editing pauses out of a podcast — but more complex actions like mixing might be difficult.
Ardour
Ardour is an open-source DAW designed for Linux and available for MacOS and Windows. Its developer, Paul Davis, also invented the Jack sound server for Linux and worked previously as one of the original programmers at Amazon.
Ardour features highly versatile multi-track recording features that include the ability to import video for film scoring purposes, to record and edit either non-destructively or destructively, and to prepare any combination of individual tracks for recording. Its use of Jack makes it compatible with a number of outside applications, as well. However, unlike other DAWs, Ardour does not come with any built-in effects or instruments and relies instead on the installation of third-party software.
Zynewave Podium Free
In 2005, programmer Frits Nielson left his position as a user interface designer with TC Electronic to focus his efforts on a recording application he began developing back in the early ‘90s. Nielson started a company called Zynewave and released a program called Podium — a fully functional DAW with a 64-bit sound engine, MIDI capabilities, VST, and third-party plugin compatibility, and a number of other advanced functions. It was also priced at a mere $50.
Zynewave now offers a free version of its software called Podium Free. Granted, it comes with some limitations — Zynewave has disabled Podium’s multiprocessing capabilities, which hinders the program’s performance under pressure and its surround-sound playback capabilities. Otherwise, though, Podium Free is identical to Podium, a program that takes some getting used to.
Once users learn how to use it, however, they will find that Podium Free offers an interface that excels in terms of customization, while offering a suite of effects and other features on par with premium DAWs. The program also never times out or displays a nag screen, and Nielson regularly updates the software to fix bugs and known issues.
Editors' Recommendations
The course will cover all the main features of Logic Pro X, Apple Loops, Audio Recording, and MIDI Recording. These are the main functions to creating a professional quality recording with Logic Pro X. The course will give step by step screen tutorials of the basic functions of how to put these together to arrange a song. The course will also cover elements of a Project studio, such as the audio interface, microphones, and MIDI Controllers. By the end the course students will have learned how to create their songs and have a final mix down to share to friends, family, and the general public.
This is an excellent course for those who want to learn to produce their own music in their home Project Studio. Unlike most Digital Audio Workstations,Logic Pro X is user friendly and not as technical as Pro Tools and other similar software. Because of this user friendly environment it is also focused towards the music hobbyist, so therefore non-professionals who would like to record their music with high details and quality will benefit from this course.
The course is structured in a progressive manner with 6 major sections. The first section the student will learn the different windows and sections of Logic Pro X and also how to use Apple Loops in their arrangements. The second section covers the elements of recording audio tracks, including vocals, guitars, bass, and other musical instruments. Lectures involve in how to record, edit and add effects to the tracks. The third section covers the MIDI instrument elements. This is a powerful feature of Logic Pro X as it's MIDI capabilities goes beyond any other DAWs in the market. Students will learn the different methods of inputting MIDI data and how to create musical phrases and compositions with MIDI. The next section of the course students will learn the drummer, ultra beat and arpeggiator features of Logic Pro. The final part of the course covers the elements of mixing a song and creating a final file for sharing. Each section, students will have an assignment to create and produce a song with the new features they learn. By the end of the course with the progressive learning, students will have become a master of their own music production with Logic Pro X.
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The music industry is one that has really felt the effects of the digitalization of the world over the last few decades. In the 1970s and '80s, recording, composing and production work would have been done manually with a complicated series of hardware mixers, synths, sequencers and other devices. Today, all you have to do is plug into a computer running the music software that's relevant to the task. These programs and tools don't only make it possible for you to work faster; you can also get started sooner, since a large selection of software packages are available to download directly. You won't need to wait for shipping: just download and start working. {'eVar4':'shop: pro audio','eVar5':'shop: pro audio: music software','pageName':'[gc] shop: pro audio: music software','reportSuiteIds':'guitarcenterprod','eVar3':'shop','prop2':'[gc] shop: pro audio: music software','prop18':'skucondition|0||inventorystatusderived|0||historicalgrossprofit|1||hasimage|1||creationdate|1','prop1':'[gc] shop: pro audio','prop17':'sort by','evar51':'united states','prop10':'category','prop11':'music software','prop5':'[gc] shop: pro audio: music software','prop6':'[gc] shop: pro audio: music software','prop3':'[gc] shop: pro audio: music software','prop4':'[gc] shop: pro audio: music software','campaign':'gcdirectsourcecode1','channel':'[gc] shop','linkInternalFilters':'javascript:,guitarcenter.com','prop7':'[gc] sub category'}
The downloadable section also offers some add-ons and upgrades for software you may already have, making it easy to bring it up to date. A few examples of available add-ons, both downloadable and packaged, include sound libraries, loops, refills, virtual instruments and effects plugins. These can open up new possibilities for music software that you already use regularly, allowing you to get more out of it. If you're a producer or studio engineer, take a look at the professional-grade sound workshop software like Avid Pro Tools, Steinberg Cubase, Ableton Live and Propellerhead Reason. You can also expand your tools into moviemaking to produce music videos with Sonic Reality Cinema Sessions and several other video editing options. For notation and composition work, some of the common choices are Avid Sibelius 7, Makemusic Finale and PG Music Band-in-a-Box. Or, for DJ-ing and remixing, check out the Native Instruments Traktor series, Avid Torq or the software packages from Venue Magic. There truly are dozens of options available for you to take advantage of the benefits digital editing has to offer. Whether you're an independent artist mixing tracks on your own laptop or a professional sound editor working on a major TV series or indie film, the right music software is here to handle your needs.
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Here are the Best Free Music Production Software Programs online for Windows, Mac, Linux, and Ubuntu.
These free Digital Audio Workstations will allow you to make professional music without spending any money.
DAW Download Instructions:
Free Music Production Software![]() 1.Audacity – Record & Edit Audio
Audacity is a free open source software for recording and editing sounds.
2.Ardour – Free Digital Audio Workstation
Ardour is a fully-featured digital audio workstation, similar to other software like ProTools, Nuendo, Sonar and Logic, and capable of replacing analog or digital tape systems.
Ardour DAW Features
Music Editing in Ardour
3.LMMS – Free Music Production Software
LMMS is a free cross-platform digital audio workstation software which allows you to produce music with your computer. This covers creating melodies and beats, synthesizing and mixing sounds and arranging samples. You can have fun with your MIDI keyboard and much more.
LMMS Free DAW Features
LMMS Demo – Sound like Deadmau5 w/ LMMS in Under 10 Minutes
Also, check out Learn How To Produce Your Own Music In LMMS
4.DarkWave Studio – Free Music Creation Software For Windows
DarkWave Studio is a real-time sound editor with a tabbed interface that lets you compose your own music with the assistance of your computer.
DarkWave Studio Features
Walk-through Demo
5.orDrumbox
The orDrumbox is a free drum machine software.
orDrumbox Features
orDrumbox Preview
6.Temper – MIDI & Audio Sequencer
Temper is a MIDI and Audio sequencer with an emphasis on MIDI. Easily integrate Temper with your other software via basic drag-and-drop behavior, more advanced sync functionality, or seamlessly as a VST.
Temper Features
7.Mixxx
Mixxx has everything you need to start making DJ mixes in a tight, integrated package. Whether you’re DJing your next house party, spinning at a club, or broadcasting as a radio DJ, Mixxx has what you need to do it right.
Mixxx Features
Mixxx Overview
8.Hydrogen
Hydrogen is an advanced drum machine for GNU/Linux. Its main goal is to bring professional yet simple and intuitive pattern-based drum programming.
Hydrogen Features
Hydrogen Drum Sequencer Demo
9.Rosegarden
Rosegarden is a music composition and editing environment based on a MIDI sequencer that features a rich understanding of music notation and includes basic support for digital audio.
Rosegarden Features
10.Qtractor – Free Music Production Software
Qtractor is an Audio/MIDI multi-track free music production software.
Qtractor DAW Features
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Qtractor Demo
11.MusE
MusE is a MIDI/Audio sequencer with recording and editing. MusE aims to be a complete multitrack virtual studio for Linux.
MusE Features
12.Linux Sampler
The LinuxSampler is an open source audio sampler with high stability, efficiency, and very low latency, providing professional grade features, comparable to both hardware and commercial Windows/Mac software samplers.
Platform: Windows / Mac
13.Spek – Acoustic Spectrum Analyser
Spek helps to analyze your audio files by showing their spectrogram.
Spek Features
14.MuLab – Free Limited Version
MuLab 6.0 features an enhanced look and feel and a rich collection of new and improved features throughout the app that all together seriously increase the creativity, comfort, and productivity of MuLab.
MuLab DAW Features
MuLab 6 Intro
15.Garageband
GarageBand is the easiest way to create a great-sounding song on your Mac. Add realistic, impeccably produced and performed drum grooves to your song with Drummer.
Garageband Features
Software Example – New Trap Beat on Garageband
Suggested Music Equipment
Here are the most popular and top rated music production products online.
MIDI Drum Controllers MIDI Keyboard USB Audio Interfaces Studio Monitors
I hope you guys find this software to be helpful.
If you are looking for more software options make sure you check out 8 Popular Music Software Programs.
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Logic Pro is a digital audio workstation (DAW) and MIDIsequencer software application for the macOS platform. It was originally created in the early 1990s as Notator Logic, or Logic, by German software developer C-Lab, later Emagic. It became an Apple product, eventually known as Logic Pro, after Apple bought Emagic in 2002. It is the 2nd most popular DAW according to a survey conducted in 2015.[3]
A consumer-level version based on the same interface and audio engine but with reduced features, called Logic Express, was also available at a reduced cost. Apple's GarageBand, another application using Logic’s audio engine, is bundled in iLife, a suite of software which comes included on any new Macintosh computer. On December 8, 2011, the boxed version of Logic Pro was discontinued, along with Logic Express, and Logic Pro is now only available through the Mac App Store.[citation needed]
Features[edit]
Logic Pro provides software instruments, audio effects and recording facilities for music synthesis. It also supports Apple Loops – royalty-free, professionally recorded instrument loops. Logic Pro and Express share many functions and the same interface. Logic Express is limited to two-channel stereo mixdown, while Logic Pro can handle multichannel surround sound. Both can handle up to 255 audio tracks, depending on system performance (CPU and hard diskthroughput and seek time). Logic Pro can work with MIDI keyboards and control surfaces for input and processing, and for MIDI output. It features real-time scoring in musical notation, supporting guitartablature, chord abbreviations and drum notation. Advanced MIDI editing[4] is possible though Logic Pro's MIDI Transform Window, where velocity, pitch, pitch-bends, humanize and precise note positioning are effected.
Software instruments[edit]
The software instruments included in Logic Pro X include:Drum Kit Designer, Drum Machine Designer, ES, ES2, EFM1, ES E, ES M, ES P, EVOC 20 PolySynth, EXS24 mkII, Klopfgeist, Retro Synth, Sculpture, Ultrabeat, Vintage B3, Vintage Clav, Vintage Electric Piano. These instruments produce sound in various ways, through subtractive synthesis (ES, ES2, ES E, ES M, ES P, Retro Synth), frequency modulation synthesis (EFM1), wavetable synthesis (ES2, Retro Synth), vocoding (EVOC 20 PolySynth), sampling (EXS24 mikII, Drum Kit Designer), and component modeling techniques (Ultrabeat, Vintage B3, Vintage Clav, and Vintage Electric Piano, Sculpture). As of version 10.2, Logic Pro X also includes Alchemy, a sample-manipulation synthesizer that was previously developed by Camel Audio.[5] The software instruments are activated by MIDI information that can be input via a MIDI instrument or drawn into the MIDI editor.
The Space Designer plugin attempts to emulate the characteristic echo and reverberation of a physical environment, using a method called convolution.
Audio effects[edit]
Audio effects include amp and guitar pedal emulators, delay effects, distortion effects, dynamics processors, equalization filters, filter effects, imaging processors, metering tools, modulation effects, pitch effects, and reverb effects. Among Logic's reverb plugins is Space Designer, which uses convolution reverb to simulate the acoustics of audio played in different environments, such as rooms of varying size, or emulate the echoes that might be heard on high mountains.
Distributed processing[edit]
The application features distributed processing abilities (in 32-bit mode), which can function across an EthernetLAN. One machine runs the Logic Pro app, while the other machines on the network run the Logic node app. Logic will then offload the effects and synth processing to the other machines on the network. If the network is fast enough (i.e. gigabit Ethernet) this can work in near real-time, depending on buffer settings and CPU loads. This allows users to combine the power of several Macintosh computers to process Logic Pro’s built-in software instruments and plug-ins, and 3rd party processing plug-ins. As of version 10.0.7, Logic can access 24 processing threads, which is inline with Apple's flagship 12-core Mac Pro.
History[edit]Creator and Notator[edit]
In the mid-to-late 1980s, Gerhard Lengeling and Chris Adam developed a MIDIsequencer program for the Atari ST platform called Creator. When musical notation capabilities were added, this became Notator, and later Notator SL. For simplicity these three are collectively referred to as Notator.[6]
Its main rivals at the time included Performer, Vision & Steinberg 16. Most MIDI sequencers presented a song as a linear set of tracks; however, Notator and Vision were pattern-based sequencers: songs were built by recording patterns (which might represent for example Intro, Verse, Chorus, Middle-8, Outro) with up to 16 tracks each, then assembling an Arrangement of these patterns, with up to 4 patterns playing simultaneously at any one time in the song.[7] This more closely resembled working principles of hardware sequencers of the 1970s and 1980s.
In its time, Notator was widely regarded (by musicians and the musical press of the time e.g. International Musician) as one of the most powerful and intuitive sequencing and notation programs available on any platform, but afterward the popularity of Steinberg's Cubase increased and track-based sequencing prevailed over pattern-based, resulting in the eventual greater integration and hybridization of the two methods in later versions of both Cubase and Logic.[8]
Recording SoftwareLogic[edit]
The C-Lab programmers left that company to form Emagic, and in 1993 released a new program, Notator Logic, which attempted to fuse both track- and pattern-based operation (but looked much more like track-based sequencers than Notator). While rich in features, early versions of Logic on the Atari lacked the intuitiveness and immediacy of either Cubase or Notator, and never achieved the same success. However, by this time the Atari was becoming obsolete, and part of the reason why Notator Logic had been written from scratch with an object oriented GUI (though it shared the same nomenclature as its predecessor) was to make it easier to port to other platforms. The Notator preface was dropped from the product name and the software became known as simply Logic.
As later versions of the software became available for Mac OS and Windows platforms, and acquired ever more sophisticated functions (especially in audio processing) to take advantage of increased computing power, Logic, together with the rise of the PC, gained popularity again.
Apple acquired Emagic in July 2002.[9] The announcement included the news that development of the Windows version would no longer continue. This announcement caused controversy in the recording industry with an estimated 70,000 users having invested in the Windows route not wishing to reinvest in a complete new system. Despite much speculation in various Pro Audio forums however, exactly how many users may have abandoned Logic upon its acquisition by Apple, or abandoned the Windows platform for the Mac version, remains unknown,[10] but Apple Pro Apps revenue has steadily increased since Apple's acquisition of Emagic,[11] (roughly $2 billion a year as of Q1 2014).
Versions[edit]Early versions[edit]
Logic 5 featured significant improvements in user interface, and increased compatibility with more types of computers, operating systems, and a wide range of audio interfaces. Logic 5.5.1 was the last version to be released for Windows. From Logic 6 onwards, the software would only be available on Mac OS.
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With Logic 6, Emagic added the availability of separately packaged software products that were closely integrated add-ons developed specifically for use with Logic, including software instruments, the EXS sampler and audio processing plug-ins. The Logic 6 package also included the stand-alone program Waveburner, for burning redbook audio CD standard-compliant CDR masters for replication, however, that application was considered a free bonus feature; it was not advertised as part of the package and did not include printed documentation. PDF documentation was included on the installer disc.
Logic Recording Software For Windows
In March 2004 Apple released Logic Pro 6, which consolidated over 20 different Emagic products, including all instrument and effect plug-ins, Waveburner Pro (CD Authoring application), and Pro Tools TDM support, into a single product package. Apple also released a scaled down version of Logic called Logic Express, replacing two previous versions that filled that position called Logic Silver and Logic Gold. Apple began promoting Logic Pro as one of its flagship software ‘Pro’ applications for the Macintosh platform.
Logic Pro 7[edit]Logic Recording Software Free Trial
Logic Pro 7 was released September 29, 2004. Most notably, Apple modified the interface of Logic 7 to look more like a product that was developed by Apple.
Additions to Logic Pro 7 included: the integration of Apple Loops, Distributed Audio Processing (a technology for combining the power of multiple computers on a network), 3 new instruments including Sculpture (a sound modeling synth) and Ultrabeat (a drum synth and sequencer), and 9 new effect plug-ins including Guitar Amp Pro (guitar amp simulator), and a linear phase corrected version of their 6 channel parametric equalizer. In total, Logic Pro 7 now included 70 effect plug-ins and 34 instrument plug-ins.
Pro-Tools TDM compatibility, which had been a feature of Logic since version 3.5, was not supported by Logic 7.2 on Intel-based Mac computers;[12] TDM support returned with the release of Logic 8.
Logic Pro 8[edit]
On September 12, 2007, Apple released the Logic Studio suite that included Logic Pro 8. Logic Pro was no longer a separate product, although a limited version Logic Express 8 was released on the same day, and remained a separate product.
Significant changes were made for Logic 8. Logic Pro 8 was now mainly Cocoa code, but still included some Carbon Libraries.[clarification needed] Alongside changes such as the new processing plug-in (Delay Designer), Apple included features such as Quick Swipe Comping, similar to Soundtrack Pro 2, and multi-take management.
Apple also made changes to ease of use. These include the discontinuation of the XSKey dongle, and a streamlined interface. Each plug-in used in the channel strip opens in a new window when double-clicked. Many of the features found in Logic 7 have been consolidated into one screen. Other additions to the new interface included consolidated arrange windows, dual channel strips, built in browsers (like that in GarageBand) and production templates.
Logic Pro 9[edit]
On July 23, 2009, Logic Pro 9 was announced. A major new feature included 'Flex Time', Apple's take on 'elastic' audio, which allows audio to be quantized.[13] A version of the pedalboard from GarageBand was included, together with a new virtual guitar amplifier where the modeled components could be combined in different ways. There were also a number of improvements to audio editing, fulfilled user requests such as 'bounce in place' and selective track and channel strip import, as well as an expanded content library including one more Jam Pack. Some of the bundled software, including MainStage 2 and Soundtrack Pro 3, was also improved. Logic Pro 9 is Universal Binary, although not officially supported for use on PowerPC computers.[14] SoundDiver, which had been quietly bundled with previous versions, was dropped, eliminating support for arguably the world's most popular synthesizer editor/librarian. As Apple has bundled so many software instruments with Logic, it is not likely that we'll see the return of integration with external synthesizer hardware to the Logic platform.[citation needed]
On January 12, 2010, Apple released Logic Pro 9.1, an Intel only release, thereby officially discontinuing Logic for the PowerPC platform. Logic Pro 9.1 has the option of running in 64-bit mode, which allows the application to address more memory than in the past. Says Apple 'With 64-bit mode, the application memory is not limited to 4GB as with 32-bit applications, so there is essentially no practical limit by today's standards.' Third party plug-ins that are 32-bit are still compatible, but will run from a 'wrapper' inside Logic Pro itself.
On December 9, 2011, Apple announced that Logic Pro Studio 9 would no longer be available on DVD, and would only be sold via the Mac App Store. The price was reduced from $499 to $199.99 for the Logic Pro app, and $29.99 for MainStage. The download was just over 400MB, and 19GB of optional loops were available as in-app downloads.[15]
This version of Logic Pro Studio 9 no longer allows users to access any microtunings in Scala format other than those provided with the software by Apple.
Logic Pro X[edit]
Released as successor to Logic Pro 9 on July 16, 2013, Logic Pro X (10.0.0) included a new, single-window customizable interface, with a design in line with Final Cut Pro X, as well as new features. New tools in this release are Drummer, a virtual session player that automatically plays along with your song in a wide variety of drumming styles and techniques, and Flex Pitch, a Flex Time equivalent for pitch editing in audio recordings. Also, a new 'Smart Controls' feature allows users to map parameters from an array of plugins to a single, convenient control interface. Redesigned keyboards and synths were included, together with new stomp boxes, bass amp and drum kit designers, and a chord arpeggiator. A completely rebuilt sound and loop library was introduced, along with a new Patch architecture. Logic Pro X has also improved track organization by allowing users to group multiple tracks into 'folder' like categories (e.g., acoustics, synthesizers, vocals, percussion, etc.). In addition to this organization, Logic Pro X allows individuals to trigger 'solo,' 'mute,' and 'volume' controls for each group.[16] Further improvements were made to score editing, exporting (now compatible with MusicXML format), and introduces MIDI plug-in compatibility. Coinciding with the release of Logic Pro X was the release of a companion iPad app called Logic Remote, which allows wireless control of Logic Pro X, including Touch Instruments for playing and recording software instruments as well as tools for navigating, making basic edits and mixing.
Since this release, Logic Pro X runs in 64-bit mode only and no longer works with 32-bit plug-ins.[17] Logic Pro X is capable of transferring most data from previous projects saved in Logic Pro 5 and later, though the transfer to 64-bit only means older 32-bit plugins will no longer work.[16]
The current version is Logic 10.4.4, where 10.4 introduced a new reverb called Chromaverb, and new functionality like Smart Tempo, as well as the option to undo mixer actions. in Addition, Logic now supports ARA (Audio Random Access Standard
See also[edit]References[edit]
External links[edit]
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